Sriyani, an idealistic and overtaxed Sri Lankan-Canadian social worker, meets a strange caller at night alone. Back to Film Program Virtual Exclusive WATCH ONLINE: April 22-25th, 2022 Receiver Canada I 15 mins I Thriller I 2021 I English BUY & WATCH ONLINE Sriyani, an idealistic and overtaxed Sri Lankan-Canadian social worker, is a counsellor at a telephone help line. She has built her life around helping others, but often at the expense of herself and those closest to her. So who is going to defend Sriyani when she is hypnotized by a caller on the phone tonight? This film plays with the A MATTER OF SURVIVAL shorts program online. About the Artist Cavan Campbell was raised on Prince Edward Island, Canada by his Island father a painter and his Sri Lankan mother a writer. Introduced first to those arts independently, filmmaking proved the natural synthesis of these early loves. Cavan’s films have screened and been awarded on three continents. His previous film HANGNAIL was lauded by Academy Award®-winner Paul Haggis as “very powerful, wonderful filmmaking”. He has worked for nearly 20 years in film & TV production, a contributor to international feature films (It, xXx: Return of Xander Cage), series television (Star Trek: Discovery, Heroes Reborn), and commercials. Making his home in Toronto, he is a member of the International Alliance of Theatrical Stage Employees. Trailer

Sparks will fly! Powerless is a documentary film about the electrical supply in an Indian city. Top of Page Tickets Top of Page Tickets Katiabaaz 82 mins/2013/Hindi/English/Urdu/with English subtitles/INDIA SYNOPSIS Sparks will fly! : Powerless is a documentary film about the electrical supply in an Indian city, the story unfurling along the tangled wires and tracing out lines of conflict of a diabolical complexity, that unfolds in several towns and cities across the country. Loha, a 28-year-old electrician lives in Kanpur, a city of 3 million, which suffers from power cuts that last up to 15 hours. Renowned for his prowess in stealing electricity, he is a robin-hood figure who steals electricity and charges the rich to provide free connections in impoverished neighbourhoods. In the face of day-long power-cuts, he runs illegal connections from one neighborhood to another so that homes, factories and businesses can function normally. On the other hand, Ritu, the first female chief and new to the Kanpur Electricity Supply Company (KESCO), is working on a mission to eliminate powerlessness. Electricity-theft accounts for nearly 30 percent of all losses to KESCO, aggravating the crisis, and Ritu has constituted a new task force to tackle this miscreancy. KESCO organizes an annual cleanup of all illegal electricity connections. Officials together with police forces try and disconnect all the illegal connections that Loha and other electricians like him, set up. Ritu’s efforts to clean up the city and reach out to consumers to chalk a new path forward for Kanpur meets with success. However, with the Indian summer settling in the electricity problem takes on crisis proportions, with dire implications on the citizen’s lives and livelihoods. People take to the streets in demonstrations and sometimes resort to violence. A rising politician takes advantage of the people’s anger. A picture emerges of a modern dystopia encompassing urban decay and desperation in the lack of electricity. Underlying the localized crisis in Kanpur is the glaring energy poverty in India, where a third of the population is bereft of this basic need, and the rest grapple with power-cuts that dictate their own terms. Powerless puts a lens to an unexplored narrative of one of the world’s fastest developing economies. Directors’ Statement Sunday, April 12th at 3pm 14 Pews Art House 800 Aurora Street Houston, TX 77009 Follow event on Facebook Interested in screening this in your hometown? Write to us TICKETS NOT AVAILABLE Tickets TRAILER Fahad and Deepti in conversation with Tripti Bhatnagar DIRECTOR'S STATEMENT Fahad Mustafa (Director/Producer): Born in Kanpur, Fahad has since lived in Dammam, New Delhi, Vienna and Edmonton. He was an Erasmus Mundus Global Studies scholar. His previous film, as director, was FC Chechnya (Austria, 2010) “I was born in Chamanganj, Kanpur. My parents left the neighbourhood to seek a future elsewhere. I have therefore had the privilege of living, studying and working in other parts of the world. My memories of Kanpur are predominantly of long, uncomfortable, water-less summers, spent without electricity. As a child I remember relatives facing unemployment due to the closure of the nationalized mills in Kanpur. I remember how in the following years, the power situation worsened. Livelihoods were at stake, and there were always stories about relatives and friends of the family, losing their incomes and businesses. In many ways Loha Singh is a reflection of the city’s past. The only livelihood that he has available to him is stealing electricity, a highly dangerous, life threatening task. Yet he does it with a panache and grit that is very Kanpuria. Upon returning to Kanpur many years later I found that the situation remains largely unchanged. A city and its people look back with bitter nostalgia and a sense of loss towards its glorious past and uncertain future. This is a story not only about electricity, but a political reality that millions in India and billions worldwide live with” . DIRECTOR'S STATEMENT Deepti Kakkar (Director/Producer): Born in Delhi, Deepti has been engaged in issues of social development sustainable livelihood for the last 10 years. She has previously directed a film on microfinance in India, and worked on story-development and as production manager on FC Chechnya. Deepti lives in Ghaziabad, India. “In many ways the story that compelled Fahad to film in Kanpur, is a story of most small towns in the country. Having lived all my life in another industrial town – Ghaziabad, Uttar Pradesh, I am no stranger to day-long power cuts and to how they govern peoples’ lives. Ritu’s reformist instinct and struggle to bring change to the city is pitted against Loha’s wit and ingenuity; the one a thief, the other a cop. ∂However, ultimately they’re both fighting for a common cause – to light up lives. In many ways Kanpur is at a frontline of globalization, and is a microcosm that showcases the infrastructure problems that India faces today. Kanpur is as much as a character in this film as it’s main protagonists.” Energy is taken for granted in developed nations, however many in India spend entire lifetimes without switching on an electric device. The energy crisis in India also finds resonance in global issues such as climate change and corporate social responsibility. While there are villages in India that have no electricity whatsoever, in Kanpur one can distinctly visualize how the lack of energy leads people to a cycle of poverty.

A newlywed girl patiently waits for a call from her husband, who has left to find work in India. As days pass, longingness turns to loneliness, then resignation to resolve. Back to Festival Program 1/3 Sat. April 15th @ 12:45PM AFS Cinemas Online April 28 - May 1 JUNKO Nepal I 15 mins I Short I Drama I 2021 I Nepali w/ English subtitles BUY TICKETS WATCH ONLINE 'Best Student Short Film' - Pame Int'l Film Festival, Nepal 'Best Cinematography' - Linz Int'l Short Film Festival A newlywed girl is left to live with her mother when her husband leaves to find work in India. She waits patiently for her husband to call, but in vain. As days pass, longing turns to loneliness, then resignation and resolve. The girl and her mother ultimately find solace in each other in this affecting film about solitude, abandonment, and self-actualization. Screens in-person with feature documentary: IN SEARCH OF BENGALI HARLEM About the Artist Minsho Limbu is an Independent filmmaker based in Kathmandu, Nepal. He holds graduation in screenplay writing and direction from Everest Film Academy. JUNKO is his directorial debut short film. It has been screened at film festivals including; Fribourg, Torino, POFF Shorts Tallinn Black Nights Film Festival, Washington DC Film Fest, Anchorage Int'l Film Festival, London Short Film Festival, Ajyal Film festival, Tel-Aviv Int'l Student Film Festival, VGIK Int'l Student Film Festival and Kathmandu International Mountain Film Festival. It won best film, best Director, Best Screenplay, and Best Cinematography Award at VGIK, Early Bird, Inter-University and Linz International Short Film Festival,2022; His upcoming short film, SUMMER OF GOODBYES, selected at the Drama Pitching Lab, Drama International Short Film Festival, Greece is in post-production. Credits Crew Writer/Director: Minsho Limbu Producer(s): Prem Prasad Adhikary Minsho Limbu Cinematography: Niraj Bhusal Film Editor: Pasang Dawa Sherpa Cast: Garima Singh Sarita Giri Prod. Company: Simal Cinema Sound Design: Bipin Sthapit Music : Shardool Shrestha

Wandering the streets of America, a young and frail Indian girl, who doesn't speak a word of English, is in desperate need of help. Jaal 14mins / Short Narrative/ India SYNOPSIS Wandering the streets of America, a young and frail Indian girl, who doesn't speak a word of English, is in desperate need of help. Tickets TICKETS NOT AVAILABLE DIRECTOR'S BIO Ayush Dahiya is a final year Economics student at The University of Texas at Austin. He has had a knack for editing since middle school and stumbled upon his passion for writing/directing while helping a friend shoot an intro video for his singing performance for a major college show. Ever since then, he has dedicated all of his life outside of academics to film. When he is not in the process of exploring the city, discovering stories and writing, he is directing/DP'ing intro videos, music videos, & covering live events to keep his cinematic muscle alive. He is fascinated by what the world has to offer, especially in the darker realms of humanity. His debut short reflects the despair of one of the most alarming and urgent issues faced by a massive portion of the world today. He intends to continue exploring the disturbing tendencies of society and shine a humanistic light on them through real, gritty, and hard-hitting cinema; drawing inspiration from the likes of Alejandro Iñárritu, Denis Villeneuve, Dardenne Brothers, & Anurag Kashyap. Writer/Director/Editor/DP: Ayush Dahiya Cast: Neha Sukumar, Udit Mehrotra, Sunday Richardson Flint, TJ Condit

2020 Indie Meme Film Festival - Lineup and Films virtual IMFF 2020 Line-up Aamis A lonely, married woman bonds with a younger man over their shared love of unusual foods. As their excursions become more adventurous, their relationship begins to take a dark turn. Aamis is an Assamese love/horror story that centers desire, food and the social taboos. Aunty Sudha, Aunty Radha Two sisters, Sudha and Radha, 86 and 93, have a near-magical existence in their village home in Uttar Pradesh, North India, along with their entourage of domestic help. This charming documentary by Tanuja Chandra delves into aging, death and life itself. Bombay Rose Escaping from child marriage, a young club dancer living in the streets of Bombay, must choose between fending for her family and finding love with a boy orphaned by the militancy. Painted frame by frame and woven delicately through music, a red rose brings together three tales of impossible loves. Based on true events, the film is a hand-painted, exquisitely told homage to Mumbai. Coral Woman This will be a filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world & the threat to coral reefs of Gulf of Mannar, India. Born in a traditional family in Tamil Nadu 53 years old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings. It is, in fact, these corals that inspired Uma to learn how to swim, dive & paint in her 50s. Eeb Allay Ooo Anjani, a young migrant, battkes hordes of monkeys as a contractual Monkey Repeller - a newly created government job to tackle the monkey menace in the heart of Delhi. The film is a hybrid of reality and fiction, incorporating real characters alongside trained actors, and verite footage with crafted mis – en – scene. Tale of Rising Rani ‘Tale of Rising Rani’ an inspiring story of a young girl named Rani who broke all the societal norms and paved the way for her loved ones. The Orphanage In the late 1980s, a young man who daydreams of action-packed Bollywood heroics finds himself in an orphanage as the Soviets maintain control and the Mujahideen fight to take their land back. Maya Having found someone she likes, Maya is ready to commit to marriage under one non-negotiable condition: that her mother joins the household. Glitch 12-year-old Karan returns home to finds his shower has run dry. As Karan turns the shower tap full to either side, he discovers that with each full turn, time turns back. Karan is at first confused, but then decides to use the glitch in time to diffuse a domestic quarrel between his parents over a lost diamond ring. Bouma Bouma is the story of a middle-aged couple in the 1960s, living their mundane lives in Kolkata. The husband drinks and smokes and does everything expected of a man, but wants his wife to be extremely pious and subservient. Kathakaar Exploring Kathak dance; its past and present in Pakistan. Cobalt Blue The film takes place in one evening at the government housing apartment by the railroad where a boy and his mother waiting for the return of the father, a civil servant, to move out another town at Upper Burma. Show More Attend

Coral Woman is the filmmaker's journey with Uma, a 53 year old certified scuba diver from a traditional Indian family, exploring the underwater world & the threat to coral reefs of Gulf of Mannar, India. Uma is trying to shed light on this alarming environmental concern. Coral Woman India | Documentary | 52 min | English, Tamil ONLINE SCREENING DETAILS Zoom Q&A with filmmaker Priya Thuvassery Screening Details: May 8th 2020 Screening Start Time: 6.45pm Q&A with Film-maker: 9pm Venue: Your home! Members and Badgeholders only - reach out to info@indiememe.org for details. SYNOPSIS This will be a filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world & the threat to coral reefs of Gulf of Mannar, India. Born in a traditional family in Tamil Nadu 53 years old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings. It is, in fact, these corals that inspired Uma to learn how to swim, dive & paint in her 50s. With Special Thanks to our Community Partner: TRAILER DIRECTOR'S PROFILE Priya Thuvassery . Priya Thuvassery is an independent filmmaker and television producer from Kerala, based in New Delhi, India. She has been directing, producing and editing documentary films & television programmes for New Delhi Television, Fox Traveller, National Human Rights Commission of India, Films Division of India, Public Service Broadcasting Trust & Khabar Lahariya for over a decade now. Her independent films include - Khanabadosh (2009), My Sacred Glass Bowl (2013), Survey Number Zero (2016), Coral Woman (2019) and Bawra Lake Your Water (work in progress). Her films have been recognised with participation, mention and best film awards in many international and national film festivals. She has been Co-Director of the IAWRT Asian Women's Film Festival, New Delhi, 2020. She is also recognized as a Canon Cinema EOS Platinum Associate. Currently, she is working on a series of climate change films. STILLS SLIDE DECK 1/6

When the world is overrun with bloodthirsty creatures, the last of mankind persevere in Dhaka, Bangladesh including two sisters attempting to survive on their own, spending their nets in teh moshari, the traditional South Asian mosquito net which is the only known protection from the threat. IN THEATERS: Shorts Program 1 April 14th, 2022 AFS Cinema WATCH ONLINE: April 22-25th, 2022 Eventive NOTE: This film is coming to theaters and our virtual cinema. Moshari Bangladesh I 21 mins I Horror, Coming of Age I 2022 I Bengali w/ English subtitles BUY & WATCH ONLINE When the world is overrun with bloodthirsty creatures, the last of mankind persevere in Dhaka, Bangladesh by spending their nights inside the moshari—the traditional South Asian mosquito net and only known shelter from the unknown threat. Two sisters, Apu and Ayra, must navigate this strange new world to survive. However, their strained relationship is becoming as much of a threat as the dangers outside. One night, when Ayra’s curiosity lures her outside the safety of the moshari, Apu must rise to the occasion—as they face their demons, together. This film plays with SHORTS PROGRAM 1 , in theaters and with the BEYOND THE END OF THE WORLD program online. WATCH IN THEATERS Back to Film Program About the Artist Bangladeshi writer/director Nuhash Humayun has an undying love for blending genres with South-Asian identity politics. He is the first Bangladeshi Fellow of the Sundance Feature Film Program. Ranging from comedy drama to horror, his credits include the anthology SINCERELY YOURS, DHAKA (World Premiere at Busan, acquired by Netflix) and the short film MOSHARI (World Premiere at SXSW). Nuhash’s upcoming feature, MOVING BANGLADESH, has received support from the Sundance Screenwriting Intensive, Film Independent, the Alfred P. Sloan Foundation, Cannes Marche du Film & Locarno Open Doors. Nuhash is also a Film Direction alumni of the Asian Film Academy and a fellow of the Film Independent/Holywood Foreign Press Association Residency. Trailer

Noor and Layla are breaking up. It’s the end of the road for these two Muslim women…or is it just the beginning? Back to Film Program Virtual Exclusive WATCH ONLINE: April 22-25th, 2022 Noor & Layla Canada I 15 mins I Romance, Drama I 2021 I English BUY & WATCH ONLINE Noor and Layla are breaking up. It’s the end of the road for these two Muslim women…or is it just the beginning? We follow the flourishing and break up of the romantic relationship, chronicled by the five prayers of Islam. This film plays with the BEYOND THE END OF THE WORLD shorts program online. About the Artist Fawzia Mirza (she/they) is a queer, South Asian Muslim writer and director. Fawzia co-wrote the feature SIGNATURE MOVE (world premiered at SXSW, screened 150+ film festivals). She wrote on CBS series THE RED LINE, from Greg Berlanti & Ava Duvernay - her episode marked the first queer, Muslim romance on network TV. She is a White House Champion of Change in Asian American Art & Storytelling, a Tribeca Film Institute All-Access alum, a ‘Yes, And Laughter Lab’ Winner, an Islamic Scholarship Fund Winner, and is part of the 2021/2022 cohort of the Canadian Academy Directors Program for Women. She wrote and directed on the TikTok series HIDDEN CANYONS (5.6m+ views), the award-winning NOOR & LAYLA (Outfest, BlackStar, Bentonville) and directed the rom-com short THE SYED FAMILY XMAS EVE GAME NIGHT (world-premiered TIFF 2021) named one of Xtra’s ‘Top 10 Films’ at TIFF and one of Harper’s Bazaar “16 Best Christmas Movies of 2021.” She wrote/will direct the feature film ME, MY MOM & SHARMILA in 2022, supported in part by TIFF Writers Studio, TIFF Filmmaker Lab, SFFILM and The Gotham. Her new short AUNTIE, executive produced by Paul Feig world premieres in 2022. Trailer

The 2019 Indie Meme Film Festival brought 4 days of a rich immersive cultural experience through incredible cinema from South Asia. A defining 4 days of a rich immersive cultural experience, through incredible cinema from South Asia. In it's 4th year, April 14, 26-28 IMFF 2019 brings over 20 films from 7 countries in 9 languages with 5 International Filmmakers in attendance. Be the first ones to see this exciting contemporary cinema from South Asia and become a part of a community of like minded people in Austin. Passionate discussions, enlightening observations, opening and closing night parties all hold the stellar programming together to make what is a 4 day party! Voted "Best International Passport " by The Austin Chronicle IMFF SCHEDULE See our festival lineup and plan your days SCHEDULE ATTEND IMFF Badges for Indie Meme Film Festival 2019 are currently on sale. ATTEND OUR SPONSORS We are grateful to our sponsors who have made this festival possible. OUR SPONSORS Highlights - IMFF 2019 Follow us on Facebook

A grandmother tells a story to her grandson about the origins of their remote indigenous village in the Western Ghats of Maharashtra. Back to Festival Program 1/4 Sat. April 15th @ 10:30AM AFS Cinemas Online April 28 - May 1 MURMURS OF THE JUNGLE India I 20 mins I Documentary I 2022 Marathi w/ English subtitles BUY TICKETS WATCH ONLINE Official Selection of the Chicago International Film Festival & International Film Festival - Rotterdam Winner of 'Best Short' Award at NFDC Film Bazaar A grandmother tells a story to her grandson about the origins of their remote indigenous village in the Western Ghats of Maharashtra. As the mysterious morning unfolds, spirits wander in the forest and dark secrets buried in time slowly emerge. The trees whisper tales of the Gods and ancestors. And while civilization and the cycle of life, death, and rebirth continues, the forest stands eternal. A bridge between the old and the new. About the Artist Sohil Vaidya is a writer and director based in Pune and Los Angeles. He won the Grand Prix for 'Best Short Film' at Melbourne International Film Festival for his film MURMURS OF THE JUNGLE and a Directors Guild of America Award for his thesis film DIFFICULT PEOPLE. Sohil's films have been screened at 90+ world-renowned festivals including Rotterdam,Melbourne, Chicago Int'l, Raindance, IFFI( Indian Panorama), Palm Springs, Rhode Island International, Edmonton International, LA Asian Pacific, Dharamshala (DIFF), Kerala (IDSFFK), and New York Indian Film Festival and have been acquired by multiple online platforms. Sohil is a BAFTA Fellow for their newcomer's program in Los Angeles. He graduated from the University of Southern California (USC) Film School with MFA in Film/TV Directing. Credits Crew Writer/Director: Sohil Vaidya Producer(s): Abhijit Vaidya Renuka Kulkarni Cinematography: Digvijay Thorat Asst. Camera: Anand Mansuk Asst. Director: Ketki Deshpande Cast: Sunil Bhoir Nitin Bhoir Pradeep Bhoir Vijay Bhoir Baby Bhoir Sonabai Bhoir Voice-over: Sumant Shinde Varsha Gupte Sound Design & Mix: Bigyna Dahal Sound Recordist: Pradyumna Chaware

The three villages used in the shoot are located in the northwest of Iran, in the Turkish-speaking Azeri part of Iran, where people in the countryside are particularly attached to local traditions with some aspects still very archaic. Austin Nov 14th 2018 3 Faces GET TICKETS 1h 40 min, Country: Iran, Language: Persian, running with English subtitles GET TICKETS SYNOPSIS Winner of the Best Screenplay Award at the 2018 Cannes Film Festival, this road movie portrays acclaimed filmmaker Jafar Panahi (THE WHITE BALLOON, TAXI, THIS IS NOT A FILM) and renowned Iranian actress Behnaz Jafari (THE CHALKBOARD, MOKHTARNAMEH) traveling to a rural village to find a distraught young girl whose family has forbidden her from studying acting. Both the mystery and the journey evolves into a calm yet profound exploration of tradition, patriarchy and female identity over generations within Iranian society. – Ray Loyd, Programmer. The 3 Faces shoot took place in three villages: the birthplace of Panahi's mother, father and grandparents. Such a familiar and protective environment greatly facilitated the possibility of filming without risk. The three villages used in the shoot are located in the northwest of Iran, in the Turkish-speaking Azeri part of Iran, where people in the countryside are particularly attached to local traditions with some aspects still very archaic. The attitude of the inhabitants in the film is consistent with what is still happening in the region. CO-PRESENTED WITH TRAILER Tickets AUSTIN SCREENING Wednesday, November 14th 2018 | 7:30 PM AFS Cinema, 6406 N IH-35 Suite 3100, Austin, Texas 78752 BUY TICKETS DISCOUNT CODE: AAAFF2018IM DIRECTOR'S PROFILE Jafar Panahi is an award winning director, writer and producer from Iran. After several short films and documentaries, he directed his first feature The White Balloon , which premiered in 1977 at Cannes' Directors Fortnight and won the Camera d'Or. Panahi's films are known for portraying realistic images of the Iranian society, causing them to be banned from the screen in Iran. In fact only his first film, The White Balloon has been granted the screening license in Iran. Panahi was arrested twice, the second time for 86 days. Panahi has won a number of human right prices, such as the Sakharov Prize for Freedom of Thought and The Medal of Art for Freedom. CAST B ehnaz Jafari as Behnaz Jafari J afar Panahi as Jafar Panahi M arziyeh Rezaei as Marziyeah Rezaei M aedeh Eteghaei as Maedeh N arge Del Aram as Mother CREW P roducer & Director - Jafar Panahi S cript- Jafar Panahi D irector of Photography - Amin Jafari E dit - Mastaneh Mohajer S ound Design and Edit - Amireza Alavian P ost production - Pooya Abbasian

After waking up and finding his wife and baby missing, a worried husband seeks help from community members.  ​ Back to Festival Program 1/5 Weds. April 12th @ 6:15PM AFS Cinemas Online April 28 - May 1 LEARNING NOT TO DROWN USAI 20 mins I Drama I Short I 2021 I English BUY TICKETS WATCH ONLINE Live Q&A w/ Texas-local director, Prithvi Raj Karreddula & award-winning composer Mickey J. Meyer After waking up and finding his wife and baby missing, a worried husband seeks help from community members. About the Artist Prithvi Raj Karreddula is a Dallas filmmaker from Hyderabad, Telangana, India. He's been a writer and director for both English and Telugu films since 2017. He also possesses a handful of additional skills in film production such as cinematography, editing, and music composition. Prithvi Raj is most known for his short films "Audible Frequency" (2021), "Humans" (2019) and "Bhoomi" (2021). Mickey J. Meyer is an Indian composer and singer known for his works predominantly in Telugu Cinema. He has received two Filmfare Awards South, and three state Nandi Awards for 'Best Music Direction'. An alumnus of Trinity College of Music, Meyer started his career in 2005 and composed music for films such as HAPPY DAYS (2007), KOTHA BANGARU LOKAM (2008) LEADER (2010) and A Aa (2016). Credits Crew Writer/Director: Prithvi Raj Karreddula Producer(s): Gopal Bala Prithvi Raj Karreddula Mark Ragunton Kiran Reddy Jinna Cinematography: Mark Ragunton 1st AD: Jazzie Dash 2nd AD: Thomas Farmer Sound: Tyler Cardwell Cameron Hazelwood Morgan Honaker Dawood Tafsir Benjamin Wilbanks Cast: Sri Chilukuri Corey Pratt Raymund C. King Cody Hallford Anna Antonia Hunter Edens Sasha Singh Carlos Manuel Cadena Raviteja Cherughattu Newsha Sadri Ryan Ehlmann Hair & Make-Up: Alexis Fernandez Composer: Mickey J. Meyer