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82 mins/2013/Hindi/English/Urdu/with English subtitles/INDIA


Sparks will fly! : Powerless is a documentary film about the electrical supply in an Indian city, the story unfurling along the tangled wires and tracing out lines of conflict of a diabolical complexity, that unfolds in several towns and cities across the country. 

Loha, a 28-year-old electrician lives in Kanpur, a city of 3 million, which suffers from power cuts that last up to 15 hours. Renowned for his prowess in stealing electricity, he is a robin-hood figure who steals electricity and charges the rich to provide free connections in impoverished neighbourhoods. In the face of day-long power-cuts, he runs illegal connections from one neighborhood to another so that homes, factories and businesses can function normally. 

On the other hand, Ritu, the first female chief and new to the Kanpur Electricity Supply Company (KESCO), is working on a mission to eliminate powerlessness. Electricity-theft accounts for nearly 30 percent of all losses to KESCO, aggravating the crisis, and Ritu has constituted a new task force to tackle this miscreancy. KESCO organizes an annual cleanup of all illegal electricity connections. Officials together with police forces try and disconnect all the illegal connections that Loha and other electricians like him, set up. 

Ritu’s efforts to clean up the city and reach out to consumers to chalk a new path forward for Kanpur meets with success. However, with the Indian summer settling in the electricity problem takes on crisis proportions, with dire implications on the citizen’s lives and livelihoods. People take to the streets in demonstrations and sometimes resort to violence. A rising politician takes advantage of the people’s anger. 

A picture emerges of a modern dystopia encompassing urban decay and desperation in the lack of electricity. Underlying the localized crisis in Kanpur is the glaring energy poverty in India, where a third of the population is bereft of this basic need, and the rest grapple with power-cuts that dictate their own terms. Powerless puts a lens to an unexplored narrative of one of the world’s fastest developing economies. Directors’ Statement

Sunday, April 12th at 3pm
14 Pews Art House
800 Aurora Street 
Houston, TX 77009

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Fahad and Deepti in conversation with Tripti Bhatnagar 


Fahad Mustafa (Director/Producer): 
Born in Kanpur, Fahad has since lived in Dammam, New Delhi, Vienna and Edmonton. He was an Erasmus Mundus Global Studies scholar. His previous film, as director, was FC Chechnya (Austria, 2010) 

“I was born in Chamanganj, Kanpur. My parents left the neighbourhood to seek a future elsewhere. I have therefore had the privilege of living, studying and working in other parts of the world. My memories of Kanpur are predominantly of long, uncomfortable, water-less summers, spent without electricity. As a child I remember relatives facing unemployment due to the closure of the nationalized mills in Kanpur. I remember how in the following years, the power situation worsened. Livelihoods were at stake, and there were always stories about relatives and friends of the family, losing their incomes and businesses. In many ways Loha Singh is a reflection of the city’s past. The only livelihood that he has available to him is stealing electricity, a highly dangerous, life threatening task. Yet he does it with a panache and grit that is very Kanpuria. Upon returning to Kanpur many years later I found that the situation remains largely unchanged. A city and its people look back with bitter nostalgia and a sense of loss towards its glorious past and uncertain future. This is a story not only about electricity, but a political reality that millions in India and billions worldwide live with” . 


​Deepti Kakkar (Director/Producer): 
Born in Delhi, Deepti has been engaged in issues of social development sustainable livelihood for the last 10 years. She has previously directed a film on microfinance in India, and worked on story-development and as production manager on FC Chechnya. Deepti lives in Ghaziabad, India. 

“In many ways the story that compelled Fahad to film in Kanpur, is a story of most small towns in the country. Having lived all my life in another industrial town – Ghaziabad, Uttar Pradesh, I am no stranger to day-long power cuts and to how they govern peoples’ lives. Ritu’s reformist instinct and struggle to bring change to the city is pitted against Loha’s wit and ingenuity; the one a thief, the other a cop. ∂However, ultimately they’re both fighting for a common cause – to light up lives. In many ways Kanpur is at a frontline of globalization, and is a microcosm that showcases the infrastructure problems that India faces today. Kanpur is as much as a character in this film as it’s main protagonists.” Energy is taken for granted in developed nations, however many in India spend entire lifetimes without switching on an electric device. The energy crisis in India also finds resonance in global issues such as climate change and corporate social responsibility. While there are villages in India that have no electricity whatsoever, in Kanpur one can distinctly visualize how the lack of energy leads people to a cycle of poverty.

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